345 – piano supreme_lickster #ballad #Jazz 2020 dec 12 | | | | | | +12 +11 +10 +9 +8 +7 +6 +5 +4 +3 +2 +1 T 0 Likes "The Block Appoggiatura"
344 – piano supreme_lickster #ballad #Jazz #turnaround 2020 dec 12 | | | | | | +12 +11 +10 +9 +8 +7 +6 +5 +4 +3 +2 +1 T 0 Likes "The Playful Turnaround"
343 – piano supreme_lickster #ballad #ending #Jazz 2020 dec 12 | | | | | | +12 +11 +10 +9 +8 +7 +6 +5 +4 +3 +2 +1 T 0 Likes "The Sweet Sus" ending
342 – piano Bach_Lover #bebop #Jazz #swing 2020 nov 24 | | | | | | +12 +11 +10 +9 +8 +7 +6 +5 +4 +3 +2 +1 T 1 Like A ii-V-I utilizing a V7(b9) sound. The sound features a B diminished structure descending, resolving to the 3rd of the I chord. For beginners, the b diminished structure serves as an "upper structure", a way to conceptualize the tall chord G7(b9), but thinking of its extensions as forming a basic seventh. In other words, G7(b9) is just B diminished 7 over a G note.
341 – piano Bach_Lover #bebop #Jazz #swing 2020 nov 24 | | | | | | +12 +11 +10 +9 +8 +7 +6 +5 +4 +3 +2 +1 T 1 Like A ii-V-I lick based on chromatic approaches. Enclosing this shape on downbeats: B D F A G F E D C The lick is as follows, with chromatic approaches on offbeats: B C D E F G A F# G E F D E Eb D Eb C
340 – piano supreme_lickster #Jazz #scales 2020 nov 18 | | | | | | +12 +11 +10 +9 +8 +7 +6 +5 +4 +3 +2 +1 T 0 Likes
339 – piano supreme_lickster #exercise #Jazz #scales 2020 nov 18 | | | | | | +12 +11 +10 +9 +8 +7 +6 +5 +4 +3 +2 +1 T 0 Likes
338 – piano supreme_lickster #Jazz #scales 2020 nov 18 | | | | | | +12 +11 +10 +9 +8 +7 +6 +5 +4 +3 +2 +1 T 0 Likes
337 – piano supreme_lickster #exercise #Jazz #scales 2020 nov 18 | | | | | | +12 +11 +10 +9 +8 +7 +6 +5 +4 +3 +2 +1 T 0 Likes
336 – piano supreme_lickster #exercise #Jazz #scales 2020 nov 18 | | | | | | +12 +11 +10 +9 +8 +7 +6 +5 +4 +3 +2 +1 T 0 Likes